Jan 15

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I want to tell you about the Sony Nex line of Cameras. I’m sure many of you have seen these little cameras. Maybe some of you have heard Trey Ratcliff or Scott Bourne talk about where the future of photographic capture is going. I want to tell you about how this little Nex-5n has made me a convert to the new smaller form factor of cameras and what’s in store for me.

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I’ve always had a toe or two into the video world. The things people do in the movie industry has always kept my interest. I have pretty much always has a dedicated video camera. I wanted my video camera to be small yet I’d like to be able to get really clean shallow depth of field video. You need a big sensor and if you could change lenses, oh my, that would be nice. Recently I decided to sell my three video cameras and purchase the Nex-5n primarily as a tiny video camera that could have different lenses and shoot really nice stills. What I didn’t know is how much I’d like this camera as a still camera.

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The little Sony has a good feel in the hand a great feel around your neck, actually I can hardly feel it at all around my neck. What I wasn’t ready for is how good this little guy is. It has taken me a few weeks to get used to the new interface as compared to my big Nikon. I’ve been able to customize the controls to allow me to get to nearly every control I need very quickly. It’s truly a joy to use and since it’s so easy to carry, I have it with my much more than my other system. I can pop on the little 16mm pancake lens and it’s a pocket camera. When I need more lens the 18-200 is a nice piece of Glass that covers a huge range. No one yet makes a really nice ultra wide for the system. I’m talking the 8-10mm range. But with the Sony adapter you can put on the Sigma 8-14mm with is a very nice lens and gives me that range. Although when someone makes a really nice native wide, that’s the one I’ll be after.

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So I found myself choosing this little Nex over my bigger SLR almost every time and I’ve decided to change my camera system to one of these Nex cameras. I most enjoy shooting landscapes. You always seem to want more pixels when you’re printing landscapes. Intro the Nex-7. The Nex-7 is a 23 Megapixel tiny camera. It picks up an amazing electronic viewfinder missing on the 5 and a couple control dials and some more programmable buttons. I was finally able to get my hands on one of these at CES. I have fallen in love with this camera, and for what I do or what I want to do, it’s perfect for me. There are a couple things I wish Sony would do for this camera that are missing. I have figured out my workarounds for all of them. Many of these things are the same as my Nikon so I’m already doing them.

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The bracketing is completely useless on the Sony cameras across the lineup. Three frames at .7 stops apart, you can’t even go a full stop. As an HDR shooter I want more frames with more control of how far apart. My D7000 only does three frames now so I’m already shooting HDRs manually. There isn’t a cable release port on the body. I wish there were, but the wireless remote can do a very similar thing, in fact the remote I have for Sony has a 2 second button that sets the camera timer for 2 seconds and shoots or a shoot now button. I used my remote as a replacement for a cable release for a lot these days on my D7000. You can also shoot in bulb mode with this little remote. push it once to turn it on and once more to turn it off. It is a little difficult to know if you actually got the camera to engage as there is no mirror clicking up to know if it started. Maybe Sony will as some kind of light or notification on the screen to indicate it’s capturing a long exposure. They most certainly could make a dedicated cable release to work with the built in USB port. Lastly is there is no tethering support for these little cameras. I use an Eye-fi card which works very well in these cameras, but there are times at my job when tethering is nice. I’ll just have to use our work cameras for those jobs. So all in all the problems are minor. For me the upsides are many.

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The upsides first is image quality. I won’t settle for a drop in image quality. There is only one direction to move on this issue. The 24 Megapixel Nex-7 is better at this than any camera I’ve had to date. I like to print big, and this will allow me to do that even better than now. The size makes it so much easier to get your gear to where you want to shoot. The cost of the system is less than my current gear, even used. By selling what I have now I’ll end up with a fair chunk of cash, even after I get the camera body and lenses I want. Good glass is expensive, but the really good glass for this is about half the price of the good glass I have for my DSLR system. The video abilities allows me to shoot with the same camera whether I want to shoot stills or video. Same camera body same lenses. So I don’t have to think about whether I want to bring the extra camera along to shoot video. Shooting video on these is just as it is on your digital camcorder. Focusing doesn’t make noise and it’s quick and easy to shoot with. There’s just one last problem. With the flood wiping out Sony’s factory last year, the Nex-7 is very difficult to get your hands on. I have put an order into several places, but I’m afraid it could be a while before I can actually get a Nex-7 of my own. Until then, I’m selling all of my DSLR gear and shooting with the Nex-5n as my primary camera. It’s capable and the image quality is as good as my 7000. I’ll give you a report on my experience with the 7 when I get it. Until then. So I get a little CSC camera thinking it’ll be a nice handy good quality video camera and it changes my perspective about the future of photography and where I want to be in that future. It’s an exciting time right now in the world of Photography.

PS. If you’re thinking about getting a Nex-5 make sure you get the Nex-5n model. The “n” makes a big difference. The images in this post are shot with the Nex-5n. Accept the one of the Nex-5n.

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Nov 08

It’s now the holiday season, and it feels like it outside. It sure got cold around here quickly. I just wanted to post about a few new things here at reflectedPixel.com. The first is about the all new gallery wraps. I’ve had a need to change where I get the stretcher bars from. Don’t worry these new bars are every bit as high quality as you expect from me. I can now offer some more sizes and have been able to lower the prices of the smaller wraps slightly, just in time for the holidays. The 16×24 and smaller wraps are now 1.25 inches deep. I offer 8×12 all the way up to 16×24 in this format. Here is an image of one I made recently.

Gallery Wrap Standard LG

As you can see, totally beautiful.
For the larger wraps, the width is still 1.75 inches deep and they are on very thick frames. Here is an image for you.

Gallery Wrap Pro LG

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In addition to the new gallery wraps, I’ve also added some new sizes of prints for you to enjoy. 8×10 and 8x12s are just $25. We have metallic prints (these look truly stunning) along with the standout prints. Please tell your friends about these incredible Temple Images at great prices.

Here is a link to the gallery.

Thank you
Jon Adams
rPix

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Aug 29

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As an artist your technique, style, and technology changes as you grow and learn in your craft along with the passage of time and what is inspiring you at that point in your life. For a long time I was nervous about posting an image for sale because of worrying I might want to finish it again or change certain things. I have learned that at least in the art photography world this is a common feeling. As an artist I will adjust, tweak, or alter my images as I see fit. I’m not talking about major drastic changes in most cases, maybe just a change is density or sharpness. Also printing tech and software technology marches along at an incredible rate. Very often this technological advancement allows me to produce higher quality and more pleasing images that match my vision of what the artwork should look like. I just wanted to share with you my thoughts on this process and post this image that I have recently tweaked, I feel this image is more polished and pretty than it has ever been before, and I have loved it from the beginning, the symbolism of covenants through the rainbow and temple have a special place in my life. As you look thorough my images or any image, it’s what you feel when you view that make or breaks and image. That is why there are so many different styles of art in the world.
Please, look at this image in the gallery and make a post in the guestbook on the site,
Here is the link. reflectedpixel.com

You can find me on Facebook, twitter, or sign up for my email newsletter. Look to the right.
Thanks again
Jon Adams
Reflectedpixel.com

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Aug 28

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I have been completely captivated with the wonderful sculpted clouds that have been decorating our skies these last several weeks. This day was like many of these with wonderful clouds up in the air. I have been wanting to shoot Oquirrh Mountain Temple in the evening with the sun behind it for a while. When I setup my tripod I soon realized the clouds were actually going to be somewhat of a problem, they were really moving! Why is this a problem you ask? I am shooting HDR imagery which means you have to take several images back to back with different exposures and then combine them into one. This process is trickier when things are moving such as clouds etc. My Idaho Falls shoot was much the same. On the up side, with the clouds moving so rapidly, you just had to wait five minutes if something wasn’t right in the sky to get the next shot.

What’s next for me? I have been wanting to get up north to Brigham City, Bountiful, maybe Logan. I’m also planning another walk around the Salt Lake Temple.
Thanks for reading.

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Aug 27

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Here is my pic of the week. I just love this image. It’s an infrared HDR image of the Manti, Utah LDS Temple. I’m sure most of the readers of this blog are familiar with this building and where it’s located. As you know it’s up on a pretty good sized hill. The north side is currently the entrance but the west side doors were the original main entrance and there used to be a giant set of steps going all the way down the hill. For some reason the west side view is my favorite. Most of the images I see around are the south side of the temple. It’s the easiest view to get the temple in the frame as you are standing either right next to the temple shooting up or are down a hill looking up. Some kind of helicopter camera would be nice to get some higher angles.

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Aug 23

I’ve been carrying this little rugged lumix around with me everywhere I go. Here is a users review.

Aug 13

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One thing I’ve often thought about is how to shoot images while the light is not optimal. Why shoot then you ask? That is when life is happening. If you are on vacation with the family you can’t always get to where you might like when you like. One other thing is the places you want to see are often closed during the magic hours of the day. So we need to be able to get really good images even when the light isn’t perfect. OK, so that was a really long explanation for what I want to talk about in this post. Infrared Photography.

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By shooting with an infrared modified camera you can get some pretty amazing surreal shots even when the light isn’t great. In fact I quite like the way it lights up the plants and pushes the skies dark. So Pretty simple, Shoot infrared. Often time you can convert to black and white to help you out in harsh lit situations as well.

Remember the 50% off deal will continue until the end of August with the code rpix50. Here is a link.
Thanks for reading.
rPix

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Aug 04

The new gallery store is working well. I wanted to send out a special deal to the three of you who look at my blog page. 50% off gallery wraps! rpix50 is the code and it’s good til the end of August! Please check out the gallery at the link below. If you’d like to see the video on the final editing of the lower image, please find my Youtube Channel

Web Gallery Link:  http://reflectedpixel.zenfolio.com/p908730214

YouTube Channel Link: http://www.youtube.com/user/reflectedpixel?feature=mhee

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Aug 01

I’ts been a little while for me and the blog. I just got back from a wonderful family trip to Bend, Oregon. Going up there I thought there would be some waterfalls in the area to go see. There are more than I imagined. It was difficult to choose. Since I had my whole family with me an intense hike super early in the morning wasn’t going to work. So we set on Tumalo Falls. It’s an easy hike (This view is literally no hike at all) and it was pretty close too.


What to do with bald skies, harsh light partialy blasting and partially casting shadows on your subject. This is a real trick to shoot. I wanted a couple second exposure to get the smooth water look and was hoping to keep detail in both the highlights and the shadows. HDR to the rescue. I was shooting through two neutral density filters and a polorizer to cut down the light and get my exposure long. I’m realy liking my giant Induro tripod, it is solid as a rock! So I shot several brackets  Watching the highlight warning and histograms to make sure I captured detail where I wanted it. Toss it into Nik HDR Efex pro and see what comes out. HDR is a high noon landscape shooter’s best friend. It allows us to get some cool and interesting shots where we simply couldn’t with a single exposure.

 

 

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Jul 23

We went up a park near our home yesterday. It’s got a little river for the kids to play in and fountains. The kids had a ball. At first I thought about bringing my D7000 and 28-300 lens so I could get in close from the sidelines. But I decided to take my new little Panasonic DMC-TS3 I know the name isn’t super easy to remember. I love this little camera. It’s the first rugged point and shoot camera I’ve had that does mostly what I want in terms of image quality. The video is very good as well. Here are a few of the pics from yesterday. What do you think?

I’m glad I decided to take the small camera that allowed me to get close to the action. I wouldn’t have got the shots I did with the 7000.

 

 

 

 

 

 

 

 

 

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